When we arrived it didn’t feel like we were
in an alien land where they speak a strange tongue. We are and they do, but it
didn’t feel like that. Concorde is still parked at Charles de Gaulle airport,
and they’re still building the housing development behind Montmartre. We were
back in familiar surroundings, driving in a cab down the Champs-Elysées and
saying things like, ‘I didn’t realize Laduree was so far down the hill’,
ticking off the landmarks (the Orangerie, the Tuileries, the Louvre, the Pont
Neuf, etc).
We were to meet the apartment manager at
10am, but arrived at Rue du Fouarre at 9.25, so we wheeled our bags into the
park next door. There was a soft breeze, shadows and sunlight dappled the
paths, and it was just the right temperature. Very pleasant.
Our flat is on the fifth floor in the fifth arrondissement. It is in the Rue du Fouarre, one of the oldest streets in Paris. Abelard started the Sorbonne in this street in the 11th century; the town fathers thought he was teaching heresy, so he removed himself from the Ile de la Cité across the river because he didn’t want to enjoy their attentions a second time. (Not that he had anything to lose, boom tish.) Our garret overlooks the oldest church in Paris, St Julien le Pauvre, is next to a park with the oldest tree in Paris (a 300 year old locust tree in Square Rene Viviani), and a couple of minutes stroll from the narrowest street in Paris (Rue du Chat qui Pêche, literally Street of the Cat who fishes, 29m long and 1.8m wide.) Lots of superlatives around here.
The picture shows our building; actually
what you see is the whole Rue du Fouarre, it’s not very long. You can’t see our
windows, because they are set too far back from the parapet. The building is
seventeenth-century, as you can tell from the roughly-hewn beams exposed
throughout the flat, which hurt when you bump your head against them.
The view from our garret is spectacular. Looking northeast from our loungeroom you can see St Julien (lower left); above it the spire of Sainte Chapelle
on the Ile de la Cité. Through the tree in the middle (which if it isn’t the
oldest tree is located very near it) you can see the Seine; last night at ten o’clock
I watched the river glow gold in the last of the sunset. Above the tree is the
Hôtel Dieu (a hospital) and on the right are the towers of Nôtre Dame de Paris.
Our main challenge, when we arrived on Sunday, was to stay awake as long as possible to beat the jetlag. We lunched in the restaurant at the bottom of our building, a salon du thé called La Fourmi Ailée (The Flying Ant), established in what was once a feminist bookshop. The food is French french, not tourist french, and the locals eat there. In an area that has more restaurants than Crows Nest you never have to eat in the same place twice, but we intend to go back.
After lunch we strolled through the laneways
to the Boulevard Saint Michel, the stones of which were taken up and thrown at
the gendarmes by the students in ’68, an event which hastened a major roadworks
project throughout the city – they asphalted all the cobbled streets so there
were no more stones to throw. Seriously! In the land of liberté, égalité and
fraternité, de Gaulle had de gall (sorry) to use civic improvements to hamper the
exercise of the right to dissent.
We emerged onto the Boul’Mich (what the
locals call it) directly opposite a place I had planned to hunt down, but it
found me instead. In the Place St André des Arts you can still see the house in
which was born Charles Baudelaire, author of Les fleurs du mal. The ground floor houses a restaurant that Jack
Kerouac used to frequent, so obviously its power to inspire good writing has
waned over the years. Incidentally, in our flat Béatrix Beck, the secretary of
André Gide, wrote Leon Morin, prêtre
(The Passionate Heart) which won the 1952 Prix Goncourt. This district reeks
with literary history (if history could be said to stink, which as a PhD
student in the discipline I can confirm, regularly).
A couple of hundred metres up the Boul’Mich (see, I’m a local) is the Musée de Cluny, the Museum of the Middle Ages. Wow. The complex takes in the ruins of the Roman baths (massive – and the Frigidarium is frigid) and the abbey of Cluny, at one time the largest ecclesiastical building north of the alps. The most famous objects in the museum are the tapestries of the Lady and the Unicorn, six tapestries created in Flanders in the fifteenth century, depicting a lady and a unicorn (and the odd lion and bunny rabbit) in actions representing the five senses. They are fragile and decaying – one of the six, Hearing, was away for restoration – and they are displayed in very, very low light, but you can still see the colours and the workmanship.
In one of the galleries a flute and viola da
gamba duo was rehearsing for a concert of medieval music. Paris is like that –
at St Julien’s in the afternoon a soprano gave a concert of Mozart and other sacred
works, which we could hear through our window. There are concerts in churches all
over the city. For a short time we considered going to a 6pm performance of
Bach’s Goldberg Variations in a church up near the Panthéon, but decided the
temptation to fall asleep would be too dangerous, as much as I love the work.
Instead we strolled through the park to another old haunt, the Café Nôtre Dame,
for dinner, and afterwards were disappointed by the book barrows on the quais
and Shakespeare & Co, which seems to have changed subtly but for the worse since
the proprietor, George Whitman, died in December. Megan made it to 9.30, I
couldn’t read any more after about ten. Was woken by a thunderstorm after 4am,
and got up to close the windows and watch the rain fall on the street. It feels
good to be back in Paris.
No comments:
Post a Comment